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Boyd Coddington’s Best Hot Rod Builds

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The automotive design industry is fascinating, though also highly competitive, as not many people stand out in a business where many talented, creative, and skilled people do their best to show their abilities. One of those rarely-seen creative geniuses was Boyd Coddington, known not only for his unique approach to design, but also for his contributions to the world of hot rod customizations.

Leaving an indelible mark in the hot rod industry was accomplished by Boyd through his innovative and pioneering methods, leading the way for his business success, and for other big names in the industry.

So which ones were the best hot rods built by Boyd Coddington? Get to know the most remarkable designs by the iconic car builder through his company and in the show “American Hot Rod”, what they meant in his successful decades-long career, his legacy as a hot rodder, and so much more!

Vern Luce’s 1933 Coupe

The most extraordinary people start humbly, somewhere, and it’s no different for Boyd Coddington. From the late 1960s, Boyd worked half-time in building and customizations, but it wasn’t until 1977 that he left his full-time job as a Disneyland machinist, and started Hot Rods by Boyd in his house’s garage.

The Vern Luce Coupe was the car which fitted this new chapter in Boyd’s professional life the most. Often known as the car which began the ‘Boyd look’ concept, and for introducing the idea of the billed wheels later produced by Boyd, the Luce Coupe was built over the body of a three-window 1933 Ford Coupe, with its changes designed by Thom Taylor. Some parts of the coupe were donated from a failed 1933 Ford project by automotive builder John Buttera, who also suggested some changes to the grille.

Not much is known of Vern Luce except that  he was a candy business owner, but his simplicity was contrasted by the extraordinary car he commissioned from Boyd. However, the coupe wasn’t a real hot rod until Vern’s death, as its next owner, Jamie Musselman commissioned a new customization from Boyd in 1981. The finished hot rod Vern Luce Coupe won an Al Slonaker Award, was America’s Most Beautiful Roadster 1982, and had a Hot Wheels diecast produced. It now belongs to Gary Brown, who restored it in 2013, and has been taking care of it in Australia.

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Boydster I

Surprisingly, Boyd Coddington didn’t own a lot of hot rodders. For a man who dedicated his life to not only building but innovating and conveying his visions into real-life cars, the lack of hot rodders in his personal garage was quite astounding.

Nonetheless, that changed somewhat in 1996 when the DuPont Boydser was finished. By the time Boyd and his then-apprentice turned-renowned designer Chip Foose worked on this particular roadster, Hot Rods By Boyd and Boyd Coddington Wheels were already well-established names in the industry.

Built over the chassis of a 1932 Ford Coupe, and also using elements from the 1933 model, the usual 1930s Ford Deuce looks are found everywhere. As both Boyd and Foose affirmed to Hot Rod Magazine in May 1996, the theme chosen for the Boydster I was taking a 1932 Ford Deuce to its ‘essential shape’, then elongating its form on top of reducing its grille to resemble the ‘wind-cheating’ look of a Pontiac Bonneville.

The bright red found in its interior and the body, is a custom DuPont Red, thus explaining the alternative name for the Boydster I. The result was heart-stopping for any hot rod lover, explaining well why it won 1996’s America’s Most Beautiful Roadster title.

1934 Chevrolet Coupe

As was usual for Boyd Coddington and his company, his hot rods were a mix of ingenuity, creativity, and a pioneering attitude which set their creations apart from most builders of his time. The same standards were applied while bringing this 1934 Chevrolet Coupe to build into reality in 2006, showing that not only was Boyd still a big name in the industry at the time, but also that what made his brand different wasn’t the materials or resources, but the talent of his staff.

The 1934 Chevy Coupe’s body was made of fiberglass by the Texas-based Outlaw Performance, and the aluminum roof made by Marcel’s Custom Metal, of California. The rest of the work was left in the hands of Boyd and his team, which assembled it to completion after adding engine and transmission systems to it. Besides the incredible building work and the creative sense and skill behind it, the 1934 Chevy Coupe was painted in a copper-tinted orange tone named Lion’s Mane, produced by PPG Industries.

The final look was worth the effort and though Boyd’s team was almost behind the deadline, the 1934 Chevy Coupe was finished in time to be featured by Hot Rodder Magazine as its annual Rod Tour title-holder car.

Boydsters II & III

While Boyd Coddington had already set a statement with the Boydster I, that didn’t stop him from trying different things with his following models of the series, without losing its essence.

Just as its predecessor, the Buckaroo Boydster II was designed by Chip Foose. Limited to six units produced, this Boydster was built over a 1932 Ford Coupe, but in an all-steel body built by California-based Marcel’s Custom Metal. Besides taking charge of the design, parts assembling, and mechanic system, Boyd’s billed wheels are part of this design as well.

Besides making it onto the 2004 Street Rod Builder’s cover, the Boydster II was awarded as America’s Most Beautiful Roadster in 2003.

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The Boydster III came alive not long afterwards, but its conception was quite different from its predecessors. Knowing that a third Boydster was a possibility, businessman and car lover Gil Losi, convinced Boyd to build it after the design of the Ashcroft Flyer, a bike built by the Oregon-based Ashcroft Motorcycles, which he saw at a Grand National Roadster Show.

Gil already owned one of the all-steel Boydster II models, and was a long-time customer of Boyd, who built a beautiful gray-painted 1933 Ford Coupe Boydster III for him, which perfectly combines the nostalgia and elegance of hot rods, with the innovation and technology of the early 2000s.

1936 Ford Bud Light

Undoubtedly one of the most gorgeous cars which ever came out of Boyd Coddington’s garage, the 1936 Ford Bud Light Roadster demonstrated what Hot Rods by Boyd could accomplish, even when time wasn’t in their favor.

The roader was commissioned by beer company Budweiser, and was featured in the third season of Boyd’s show “American Hot Rod” aired in 2005. While it was initially planned to make de Bud Light out of a 1933 Ford Coupe, the only model available at the time was a 1936’s one, but that wasn’t the only challenge faced by the team. Besides losing valuable members of the team and making it work with new ones, the Hot Rods by Boyd’s staff was behind time for its unveiling, six weeks after the project’s beginning.

Some of the most notable features of this hot rod include Boyd-made chassis, transmission, and titanium wheels. The color is electric DuPont Candy Blue, and the red leather interiors were made by the California-based Gabe Lopez. Unlike some 1930s Boyd customizations, the Bud Light is the only one of its type with these specifications.

1929 Ford Model T Coupe Beater

While Boyd Coddington usually went for the polished, sleek and elegant look, that doesn’t mean he was afraid of giving rat rods a try. To prove that, the 1929 Ford Model T Coupe has everything one would expect from a hot rod which came out of Boyd’s garage, yet is at the same time unexpected and a rare sight.

The idea for the Beater Coupe didn’t come up from Boyd’s relentless search for innovation but from his rare need for something simple, an old-school style which reminded him of his beginnings. Some important changes to the body were made, such as removing the roof and replacing it with a three-piece one, modifying the windows, and raising the rear wheels. The most notable modification was adding a new nose to turn it into a classic hot rod, keeping style while not losing the Boyd look.

While it was a meticulous build, some original features such as the bodyline and hinges were deliberately unchanged, to keep the not-so-slick rat-rod-like look from the original. The dark-brown paint job is nothing out of the ordinary, yet it keeps the hot rod’s style intact, while perfectly combining with its black leather interior. The car was featured in several episodes of “America’s Hot Rod” section “Beater Build-Off”.

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Aluma Coupe

Definitely a car impossible to find anywhere else than in Boyd Coddington’s garage, the Aluma Coupe was revolutionary for its design and concept, showing what happens when talented people work together.

During a flight from Detroit to California in 1991, designer Larry Erickson fell asleep without knowing that the initial idea for the Aluma Coupe would come to him in dreams. Unable to get that concept out of his mind, Erickson sketched it all, directly inspired by the 1930s and 1934 Ford Coupes, and sent it to Boyd Coddington. Unknowingly for both of them, Mitsubishi had been thinking of building a car which resembled the 3000GTO and there was nobody else for that job than Boyd, who mixed that concept with Erickson’s idea.

While it was initially thought that keeping a classic hot-rodding shape would be the best option, a coupe body was chosen in the end for structural safety reasons. Builder Marcel DeLay was in charge of shaping the hot rod out of aluminum, giving origin to the car’s name.

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The final result is a successful mix of traditional and modern elements, putting together the ingenuity of everyone involved in an equilibrated way, but staying in brand with Boyd and Mitsubishi. The Aluma Coupe was unveiled in 1992 at the New York International Auto Show, and was donated to the Petersen Automotive Museum in 2010.

Whatthehaye Street-Rod

Classic never goes out of fashion, and that is something Boyd Coddington understood better than anyone else. Following that concept, it’s unsurprising that he was the perfect formula for combining the coolness of hot rods with the magnificence of Delahaye, the French luxury car manufacturer founded in the late 1800s.

For his part, Scotty Gray was a Texas-based car auctioneer and long-time customer of Boyd, who wanted something different from his past commissions. He came up with the idea of a Delahaye-inspired hot rod, and Boyd made it a reality with a 1930’s model as a basis, adding Boyd Coddington’s custom coil-over, Pro-Ride suspension system, and wheels.

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To fit the chassis built by Art Morrison in collaboration with Boyd’s custom chassis, the staff at Marcel’s Custom Metal was left to build the body: ‘Boyd brought us a chassis, a rough sketch, and an idea—he gave us a sort of free-for-all’, as Marcel’s son Luc DeLey told MotorTrend at the time, confessing that the Whatthehaye was the type of car his father always wanted to build.

Marcel and his team created the Delahaye-inspired V-shape windshields from scratch, while following the classic design of the 1930s. The black leather upholstery work was left to Gabe Lopez, but not before Boyd and his staff assembled it all. After a whole year of work, in early 2004 the Whatthehaye Street Rod was finished, and valued at $400,000.

CadZZilla

Despite it being one of his early works, the CadZZilla build is one of the most famous hot rods by Boyd Coddington.

The CadZZilla’s first concept was drafted on a Mexican restaurant’s napkin by designer Larry Erickson, and Billy Gibbons, frontman of rock band ZZ Top and who commissioned the work. Later Erickson and Jack Chisenhall revised the design before sending it to Hot Rods by Boyd, where they took a 1948 Series 62 Cadillac body and shaped it into something modern, but a hot rod nonetheless.

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In the hands of artisan Craig Naff, the Cadillac didn’t lose its post-war look, yet sported a modified frame which would have been great for everyone, except Gibbons. Asking for a more forward and defying look, Gibbons got what he wanted with radical changes such as a new roof line, custom-made windshields, and a larger and dramatically sleek trunk. To fit Gibbon’s thirst for speed, an eight cylinders 500ci Cadillac V engine was installed under the hood. The cherry on top was its House of Kolor-made dark purple paint job.

While Boyd went on to work on several incredible projects afterwards, the CadZZilla remains one of the most important creations of his career for setting a precedent not only in his future works, but in the entire hot rodding and automotive industry.

As the Freelance Writer at Net Worth Post, I steer producing riveting stories about the lives and triumphs of influencers. With an unwavering commitment to precision and a flair for weaving compelling tales, I guide our content creation, from the depths of research to the pinnacle of narrative excellence. My responsibilities encompass the full spectrum of editorial management, including the meticulous investigation, narrative development, and upholding the integrity and high standard of our output.

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Is “Yellowstone” based on a true story?

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Wondering if “Yellowstone” is based on a true story? What inspired the writers to produce the Dutton family drama? When part one of the “Yellowstone” season 5 was launched, viewers have been concerned about finding out whether the series is based on a true story. Fans have also been interested in learning about the Dutton family story, which some believe to be real. Read on to learn if “Yellowstone” is based on a true story, and what inspired it.

Background

“Yellowstone” is a Western drama series about the Dutton family, which owns the Yellowstone Dutton Ranch, the biggest in Montana. The drama series premiered in June 2018 and revolves around the Dutton family at the ranch, bordering a national park, the Broken Rock Indian Reservation, and developers in need of the family’s piece of land.

“Yellowstone” is centered on John Dutton III, a character acted by Kevin Costner, a sixth-generation patriarch and widowed member of the Dutton family who owns and runs the ranch. He fights to protect the ranch from those seeking to repossess his family’s land for other developments that do not align with the interests of the family.

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The producer of “Yellowstone,” Taylor Sheridan believes that the drama series has been a success with the audiences, although critics have different views and reservations. He makes it clear that the series is for people who experience the life it portrays. The writer also states that the audience is expanding, because many people love westerns; they provide entertainment and different perspectives about life in the west.

People who resonate with the plot depicted in the drama series will certainly love it. “Yellowstone” flows through different genres, where it sets the stage for being campy, then becomes dramatic, and violent. It’s a blend of the old western, new western, and soap opera. While it infuriates other people, it appeals to the interests of individuals who love storytelling.

“Yellowstone” is a hit partly because its location is fantastic, it’s acted in a wicked way, and explores a world that is unknown to many people. It consists of powerhouse actors who put on an outstanding performance.

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Is “Yellowstone” Based on a True Story?

The answer is ‘no’, because “Yellowstone” is not based on true people or events that have happened in real life. However, Taylor Sheridan revealed in an interview with The Los Angeles Times in 2018 that the series explores issues that he’s witnessed, and the problems that still exist in US’s western mountain states.

For instance, “Yellowstone” explores issues related to land development, oppression, resource mismanagement, extreme poverty and inequality. These challenges still exist in other parts of the US, and the consequences are dire, especially when they happen in small rural areas with fewer people.

Taylor also added that once construction companies start encroaching on landscapes in farms and ranches, the effects are more dramatic. He reiterated that the show is based on the “gentrification” that has occurred in the western states, a process where wealthier people move to poor or less developed areas and begin to improve them by building new houses and launching other developments.

While gentrification attracts new businesses and improves the overall appearance of the place, it often displaces the current inhabitants in the process. The creator of the “Yellowstone” drama series has witnessed some of these changes in mountain states, such as Wyoming and Montana where he stays.

Gentrification mainly benefits wealthy people at the expense of the less privileged. When the place is developed, only the rich can afford the modern properties, and natives will be pushed off their land. In other words, this process creates inequality among people living in a certain area. The rich can use their influence to determine the state of affairs in a particular area, which will put other people at a disadvantage.

The creator of the drama series places the white rancher in a position of Native Americans, which was different 100-plus years before the onset of gentrification. What is taking place now in the west puts the natives at a disadvantage; for example, once the land developers move in and make improvements, they often sell that fantasy to wealthy people.

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In most cases, the rich people who become the new occupants often come from affluent areas such as Dallas, Los Angeles, New York, and Florida. As a result, the poorer natives end up landless because they cannot afford properties constructed on their indigenous land.

When wealthy people buy pieces of land in the western states, they often use them for weekend getaways, and in the process, the way of life of the indigenous people is impacted. Land values and other aspects such as inheritance taxes are bound to increase, which will affect the welfare and lifestyle of the people living in the gentrified places.

Sheridan revealed in an interview with CBS news in 2022, that “Yellowstone” derived its inspiration from his experience as a rancher – most of the horses used in the filming of the drama series are his. He said that the horses are not very safe, and this is why the actors are not always riding on them – the horses were specifically bought for the drama series, and the creator taught the actors how to ride them.

Are the Duttons a Real Family?

The Duttons are not a real family. According to the equestrian website Horsey Hooves, the family’s patriarch John Dutton could have been inspired by famous ranchers such as Bill Galt and W.T. Waggoner. Waggoner owned the 525,000-acre Waggoner Ranch in North Texas, which was founded in 1849, was once the largest ranch in the US, and was passed down through several generations.

The Waggoner family owned the ranch until 2015, when it was sold to businessman Stan Kroenke for $725 million. Bill Galt is the owner of the 248,000-acre ranch in Montana, the same ranch where “Yellowstone” is set. Horsey Hooves said Galt is also known as “The Last American Cowboy.”

Cowboy life is still common in North Texas, although it’s facing some challenges from gentrification. As a result, “Yellowstone” sought to portray a western life unknown to many people. The drama series draws its audience from people who love the cowboy lifestyle, since the practice is no longer widespread across the US.

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Is the Yellowstone Dutton Ranch Real?

Although “Yellowstone” is not based on a true story, the ranch where the drama series takes place is real – Chief Joseph Ranch is found in Darby, Montana, and consists of several cabins used by guests as accommodation when they visit, and several have appeared in the show. The key areas that appear in the drama series include Rip’s Cabin also called the Ben Cook Cabin in real life, the Armory, the Trapper cabin, and Lee’s cabin also called the Fisherman Cabin.

Shane Libel and his family own Chief Joseph Ranch – when the property was chosen as the filming location for “Yellowstone”, the Libels family and the filmmakers signed a five-season contract. Apart from the 5,000-square-foot mansion and cabins, other film locations include the armory, barns, arena and corrals.

The Chief Joseph Ranch consists of a real family home, also used for vacations. When not being used for film production, the cabins around the home are available for rental for a minimum of three nights. The guests are treated to a memorable Yellowstone experience.

In “Yellowstone” Season 5, Texas’ Four Sixes Ranch featured is a real ranch, and it will be the filming venue for “Yellowstone”’s upcoming spin-off of the 6666 show. The 350,000-acre 6666 Ranch has a rich history, as it was founded in the 19th century when West Texas was still ruled by Comanches.

The 6666 Ranch appeared in “Yellowstone” Season 4, and featured Jimmy, who was sent to Texas to become a real cowboy. In May 2021, Taylor Sheridan and a group of investors bought the ranch for use as one filming location for “Yellowstone and will feature in future episodes.

The 6666 Ranch is real and still functioning as it has over the last two centuries, encompasses the history of the country. At this ranch, the laws of nature and the rule of law merge in a typical fashion where some of the most dangerous events take place. The 6666 is a place where world-class cowboys are made, and is synonymous with an attempt to raise the finest livestock and horses in the world, still produce high-quality Quarter Horses and Angus cattle.

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Is There Going to be a Yellowstone Season 6?

Many viewers often wonder if there will be a “Yellowstone” Season 6. However, the good news is that one of the actors – Cole Hauser who plays Rip Wheeler – confirmed in November 2022 that there will be one more season. He said there’s a lot of work going on to fully utilize the talent to fulfill the needs of the audience.

According to the executive producer Taylor Sheridan, “Yellowstone” comprises a diverse crew that is concerned about producing the best result. However, he confirmed in 2021 to “The New York Times” that he doesn’t want Yellowstone to run for nine seasons, so has actually already written the ending – taking too long without preparing the end can lead to stagnation of the show, so he’s still confident that the show will not run out of steam as it nears the end. So season 6, could well be the final

Yellowstone is not based on real life or fiction, but on world events. The creator has hinted that there has to be movement and evolution toward the conclusion.

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Sheridan has already decided on the ending of “Yellowstone,” but has hinted at opening up more spin-offs after “1883,” “1923,” and “6666”; he doesn’t want to limit his creativity. More importantly, the creator has also expressed his connection to the sparseness of the west, since this is where he spent most of his lifetime.

Sheridan lived in New York briefly and enjoyed his stay, but clearly states that he cannot write about this place. Instead, he’s fascinated by outdoor events, which motivated him to write “Yellowstone”, saying that the outdoor world helps him get a clear picture of the vastness of the US.

Sheridan says that life in New York is different from living in western states, which still have many places in their natural state. It’s easier for him to observe the things that happen in these open places than in build-up areas like cities. Although Sheridan’s hinted that “Yellowstone” will come to an end, he hasn’t ruled out the possibility of future episodes based on unfolding events.

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How is Sara James from “America’s Got Talent” Doing Now?

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Rise to Fame

When Sara walked onto the stage for her audition for the 17th season of “America’s Got Talent,” everything about her screamed “star!” Unlike most contestants whose nerves show as soon as they appear, Sara was composed and had an aura of calmness around her. She owned the stage, and wasn’t intimidated by the fully packed auditorium, as she shared some lighthearted exchanges with Simon, revealing that she was just 13 years old, which shocked the judges and the audience, since she spoke and conversed with a level of maturity way above her age.

The crowd went quiet as Sara took a deep breath and calmly launched into her performance of “Lovely” by Billie Eilish. The performance embodied the classic calmness and maturity that Sara’s fans have now come to love, showing-off her excellent vocal control, as she hit and held high notes, raised and lowered her voice to capture the deeply emotional meaning the song has to her, and held the attention of her audience with her ability to pass on her emotions to them through her voice.

Sara’s trance-like hold on the crowd was broken when she sang the last note, sending Howie Mandel, Heidi Klum, and Sofia Vergara to their feet with the audience, to applaud the 13-year-old musical prodigy, as a still seated Simon Cowell clapped. When the crowd calmed down, Simon talked about how coming to the US changed his life, adding that he would like to make Sara’s first time in the country memorable before crowning her musical prowess and outstanding performance with the Golden Buzzer. With one press of the button, Simon Cowell set Sara on the path that AGT musical prodigies before her have followed to stardom.

Now, every person who watches Sara’s audition on YouTube asks the question, “How is Sara James doing now?”

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Early Life and Musical Foundation

Born on 10 June 2008, Sara Zofia Egwu-James isn’t yet 15 years old. She has three siblings, Michelle James, John Junior, and Jakub Dancewicz. Sara was born to a Polish mother while her father is of Nigerian descent, but grew up in the US. At her age, Sara is just in high school, holds a first degree in music from Slubice, plays the piano and the guitar. Despite gaining global success for a raw, powerful voice that she’s learned to control allowing her to hit high and low notes without straining, Sara is continuing her music education by taking vocal lessons with Edyta Kregiel, and practicing her singing and performing at the Municipal Cultural Center.

Sara gets her musical talent and interest in singing, playing instruments and performing from her parents. Her father John is a singer and performer, who has participated in some talent competitions. In 2011, he was one of the “X-factor” contestants, appeared in the “Bitwa na voices” choir singing competition as part of a choir, and half of the Polish singing duet “Loui & John”, under contract with Sony Music Poland.

Sara’s mother, Arleta Dancewicz, is equally musically talented, but didn’t pursue music professionally, although sang in church when Sara was growing up. Inspired by her mother’s passionate performances and her father’s professional musical acts, Sara joined a local children’s choir, and staged several performances across the city. She honed her vocal and performing skills through seasonal performances such as in a local Christmas Carols Festival, and entered some singing competitions for children. Although Sara’s parents are now separated, they both support Sara in her aspiration for a career in music, and have shared her confidence that she will rise to become a global music icon, since she started singing at four years and staged performances individually and as part of a group at just six years of age.

“The Voice Kids-Poland”

Sara joined her first major singing competition, “World Talent Show” in 2020, when she was just 12 years old, placing third in the competition, and was the proud recipient of the coveted Silver Microphone, and honored to receive the award at the closing performance of the Lubuski Song Festival Pro Arte. Although she didn’t win, emerging third emboldened Sara, and encouraged her to sign up for larger competitions.

In 2021, Sara entered her name for consideration for a slot on “The Voice Kids” Poland. For her blind audition, Sara chose to perform Demi Lovato’s “Anyone.” Her performance, which has gathered over 4.45 million views on YouTube, enthralled the audience, and had all coaches pressing their buttons and turning within seconds to indicate they wanted her on their teams. She chose Tomson and Baron, and embarked on a journey of musical discovery as she learned from the two rockstars.

Tomson and Baron’s mentorship was evident in Sara’s first battle on “The Voice Kids.” She battled two fellow contestants Amelia and Matylda, performing Mariah Carey’s “Hero.” Although the two girls were talented, Sara beat them easily and earned the favor of all judges as well as the admiration of the live audience. With her new status as fan favorite, Sara put on impressive performances, particularly in the finals when a whistle note in her performance of Will Ferrel and Molly Sanden’s “Husavik (My Hometown)” had the crowd on its feet clapping and screaming for minutes after she finished singing.

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Sara’s ability to impress the crowd with the raw power of her voice, the passion she put into her performances, and her ability to improve on past performances under the guidance of her coaches, earned her first place in the competition. With the title of the winner of the 4th season of “The Voice Kids Poland,” Sara set her eyes on competitions outside her native Poland, as part of a strategy to take her voice and music career global.

“Szansa na Sukces” and “Junior Eurovision Song Contest 2021”

One year after winning “The Voice Kids Poland,” Sara entered “Szansa na Suckes,” a Polish talent show that offered an opportunity for its winners to participate in a European junior singing competition. For the competition’s finale, Sara sang her way into the audience’s hearts with her cover of Celine Dion’s “My Heart Will Go On”, which won her the competition, receiving the most votes from both audience and judges, installing her as Poland’s representative in the “Junior Eurovision Song Contest 2021.”

In December that year, Sara, who had never performed outside Poland, went to Paris for the “Junior Eurovision Song Contest.” Unlike her past performances where she sang covers of her favorite songs, Sara made the bold and risky decision to perform her own original song “Somebody.” Her gamble paid off, as she received a standing ovation from the audience. She emerged second in the competition, to Armenia. Although she didn’t win the competition, the audience and jury’s reaction to her song and performance gave her the boost of confidence she needed to try for a spot on “America’s Got Talent.”

“America’s Got Talent” and “All Stars”

“The Voice Kids Poland” laid a foundation for Sara’s success in her music career, while the “Junior Eurovision Song Contest” gave her a platform to take her music to the rest of Europe. She remained relatively unknown to the rest of the world until 2022, when she earned her spot on “America’s Got Talent” or “AGT” as the competition is commonly known. At “AGT,” Sara carved a spot out as a fan favorite with her first performance, which earned her a Golden Buzzer from the fastidious and fellow European record Executive Simon Cowell.

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When Simon gave Sara a permanent spot in the live shows in Las Vegas, Nevada, the then 13-year-old secured a platform to showcase her voice and performing prowess to an American audience. However, the guaranteed spot didn’t lessen her resolve to continue delivering unforgettable performances that would earn her fans among the show’s global audience. In the semi-finals, her first performance after the audition, Sara sang Elton John’s “Rocket Man,” earning herself another standing ovation from the audience. The performance has over four million views on YouTube, and has attracted 4,665 comments, each expressing awe over her ability to hit, hold, and switch notes effortlessly, while maintaining control of her vocals.

In the finals, Sara impressed the audience with a cover of “Running Up That Hill” by Kate Bush. Her performance had all four judges on their feet celebrating with the crowd, and hoping that the emotional, well-paced, and captivating rendition of the song earned the 13-year-old the ultimate prize. However, she was not named among the top five, finishing in the bottom six of the top 11 contestants in the show. Although she didn’t win the competition, she left with a large group of loyal fans who flocked to the comment section of the video of her performance in the finals to express their surprise and disappointment that she wasn’t named the winner of “AGT” season 17.

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However, Sara was chosen as one of the contestants for “America’s Got Talent: All Stars” early in 2023, against musical prodigies and groups from past seasons such as the Bello Sisters, the Light Balance Kids, Aidan Bryant, and the Detroit Youth Choir. For her performance at “All Stars,” Sara chose “As It Was” by recent Grammy Award winner Harry Styles. Before her performance, Sara engaged in a conversation with Simon Cowell, discussing her performance in the previous competition and aspirations for the future. Her characteristic confidence and promise that she will become the first “AGT” prodigy to win a Grammy had the crowd eagerly waiting to be blown away by her performance.

Sara didn’t disappoint the judges and her audience, producing her classic powerful, moving and captivating performance, which gained 2.8 million views on YouTube in just four weeks. Her rendition of the original song included most of the notes from the original, but Sara had altered some notes, transforming the song into a masterpiece. Unfortunately, she was up against fan favorites and prodigies from other seasons of “AGT”, who staged equally remarkable performances, and once again she was eliminated, although the audience, judges and Sara’s fans are convinced that she’s on her way to becoming a global icon in the music industry.

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Record Deal, Album, and Original Music

In 2017, Sara released an Extended Playlist entitled “Just Like Me” containing four songs – “Blind,” “Boys Like You,” “Just Like Me,” and “If I Ever.” She wrote and released three other original songs in 2021, including “Czarny mlyn,” “Jak co roku,” and the song she performed at her first regional competition, “Somebody.”

After a successful stint at “AGT,” Sara James was signed by Universal Music Polska. She’s since written and released six original songs, including “My Wave” and “Take Sama.” In addition, Sara has released several covers as part of her record deal, most notably Harry Styles’ “As it Was”, and Elton John’s “Rocket Man.”

Her raw, powerful, and well-controlled voice, ability to bring out the emotion in her originals and covers, and to hold long notes has earned Sara millions of listeners across all music streaming platforms. In 2022, she became the most streamed artist on Spotify’s EQUAL Global playlist, with over 10 million streams on the platform.  She was honored to become the first Polish artist to earn the coveted ambassadorial role on the music streaming platform.

https://www.instagram.com/p/Cows4QRJEkj/

The Future

Sara hopes to win a Grammy someday. In 2023, she’s planning a tour for her new album, during which she hopes to unveil a more mature sound, and present herself to the world as a seasoned artist. Sara also hopes to become a role model for young people and women from all over the world, encouraging them to pursue their dreams.

The future is full of possibilities and opportunities for Sara to stage performances all over the world, share her voice and new sound with her fans, and release more original music.

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